Monday, November 11, 2019
Madonnaââ¬â¢s Sex Book Essay
?According to Giselle Benatar ofà  Entertainment Weekly, there are two versions of how Madonna came up with the idea for the book. One was that she conceived the idea of an erotic photography book during the shooting of the filmà  A League of Their Ownà  in the summer of 1991. [1]à  The second one is thatà  Judith Regan, vice-president andà  editor-in-chiefà  ofà  Simon & Schuster, flew toà  Los Angelesà  in March 1991 to meet with Madonna and her managerà  Freddy DeMann, armed with a proposal for a similar collection of photo-erotica.  [1]à  The singer had initially verified whether Regan had approached any other celebrities with this concept, as Madonna would be interested to be a part of it only if it was a unique idea. [2]à  By the end of the meeting Madonna had agreed ââ¬Å"in principleâ⬠ to do a book calledà  Madonnaââ¬â¢s Book of Erotica and Sexual Fantasies. She told Regan that DeMann would call her and work out the details regarding the book. [3][4]à  However, Madonna never got back in touch with Regan, who assumed that the singer did not want to proceed with the idea.  [1]à  Madonnaââ¬â¢s publicist Liz Rosenberg never confirmed nor denied Reganââ¬â¢s claim, but according to Benatar, Madonna started working onà  Sexà  before wrapping upà  A League of Their Own. [1]à  At firstWarner Bros. Recordsà  and the executive directors atà  Time Warnerà  were reluctant to allow Madonna to publish such a book, but finally gave in to the idea. Madonna, however, was forced to sign a contract that forbade her from showingà  child pornography,à  bestialityà  andà  religious imagery. [1]à  Not long after signing this agreement Madonna foundedà  Maverick, a multi-media entertainment company.  Since by contract she had total artistic control over any of the work released by Maverick, the agreement she signed with Time Warner concerning what not to do inà  Sexà  became obsolete. [5][6][7] Some of the pictures for the project were shot atà  Hotel Chelsea, New York. Other locations included Times Squareââ¬â¢s all-male burlesqueà  Gaiety Theatre. Originally to be titledà  X, Madonna changed her mind whenà  Spike Leeââ¬â¢s filmà  Malcolm Xà  began to be promoted. (The film was released three weeks after the book. ) She would go on to tellà  Vogueà  magazine: ââ¬Å"This is a really good symbol, and I thought of it first.  ââ¬Å"[8]à  Warner Bros. commented thatà  Sexà  was very difficult to produce, requiring contributions from many different printing and publishing companies. [9]à  They also stated that in order to generate any profit, the book would have to sell at least 350,000 copies. [10][11]à  Madonna hired top-notch talent for the development of the book;[12]à  she counted on the help of friends from the music, film and fashion industry. [9]à  The singer hiredà  Fabien Baronà  as the art director,[13]à  fashion photographerà  Steven Meisel, editorà  Glenn Oââ¬â¢Brien, make-up artist Francois Nars and hairstylist Paul Cavaco.  [1][6][14]à  Theà  Sexà  book had a range of influences ââ¬â from punk rock to earlier fashion iconoclasts likeà  Guy Bourdinà  and his surrealism, andà  Helmut Newton, in its stylized, sado-masochistic look. [15]à  Madonna originally wanted the book to be of an oval shape in order to simulate aà  condomà  but the printing and manufacturing of such a book would have been too expensive. Meisel would later comment: ââ¬Å"Madonna and I can keep up with each otherâ⬠ and that ââ¬Å"Iââ¬â¢m doing things to make people think too. Itââ¬â¢s not really to antagonize or to push peopleââ¬â¢s buttons.  Itââ¬â¢s really to present another way of seeing things. ââ¬Å"[1] The pictures were taken almost entirely inà  Super 8à  format, and most of the photo shoots took place inà  New York Cityà  andà  Miami. Locations in New York City included theà  Hotel Chelseaà  and Times Squareââ¬â¢s all-male burlesqueà  Gaiety Theatreà  (dancers from theatre participated in one of the bookââ¬â¢s photo sessions), whereas in Miami the majority of the sessions were shot at a house Madonna had purchased just before starting the project, and in several beaches and streets.  [1][5][16]à  One morning during the four-day Florida shoot Madonna was prancing around her 14-bedroom house in Miami completely naked, when someone jokingly suggested she go out on the street, then, according to Baron ââ¬Å"the next thing weââ¬â¢re in the streetâ⬠ where allegedly ââ¬Å"cars screeched to a halt, motorists whistled, and one entranced cyclist fell off his bike. ââ¬Å"[1]à  This was just one of the many crazy episodes that took place during the shooting of the book. According to Baron, during the photo shoots ââ¬Å"[Madonna]ââ¬â¢d do something crazy and then weââ¬â¢d come up with something even crazierâ⬠.  One of the most shocking photographs made for the book, which featured two women inà  post-punkà  attire flanking Madonna with one of them holding a knife to Madonnaââ¬â¢s crotch, was dismissed as it was considered too violent. At some point, while the book was being produced, some of the photographs were stolen, but were quickly recovered by theà  FBI. [1]à  According toà  New Yorkà  magazine, there were approximately 80,000à  photographs taken for the book,[17]à  but only a handful made the final cut. [1]à  The printing of the book was extended for 15à  days[11]à  making the total production process last about eight months.  [18] Design and content[edit] The picture shows the leather string worn by Madonna in theSexà  book, as well as in the ââ¬Å"Eroticaâ⬠ music video. Below the string, an image from the book can also be seen. Wrapped and sealed in aà  Polyethylene terephthalateà  (PET) Mylar bag,[19][20][21]à  Sexà  contains 128à  pages and isà  spiral boundà  with anà  aluminiumà  cover that has the word ââ¬Å"Sexâ⬠ stamped in the middle[14][22]à  and a warning label. [23]à  The front page also shows Madonna against a sky blue backdrop. [22]à  Three different types of paper were used for the printing ofà  Sexà  and the design was overseen by Madonna and Baron & Baron Inc.  (consisting of Fabien Baron and the photographer Siung Fat Tjia) who had previously collaborated with the singer designing the cover art of her fifth studio album,à  Erotica. [11][24]à  As this was the first project for Maverick, the packaging was crucial; however Madonna did not have faith in Warner Bookââ¬â¢s ââ¬Å"mass-marketâ⬠ publication process. Hence Baron suggested to transfer the packaging job to Nicholas Callawayââ¬â¢s bespoke Callaway Editions. [25]à  Charles Melcher, co-publisher with Callaway for the book, said that they usually did ââ¬Å"exquisite art books, $100 high end, beautiful thingsâ⬠.  But it was a challenge for them to process Madonnaââ¬â¢s ideas into reality. The artist wanted the packaging to be sealed, so that the reader had to tear it up and read. [25]à  They considered various kinds of clasps before zeroing on the idea of the sealed bag as a reference to a condom package. The metal cover was Madonnaââ¬â¢s idea, who took the inspiration from the 1979 album,à  Metal Boxà  byà  post-punkà  bandà  Public Image Ltd. [26]à  Melcher recollects, ââ¬Å"We were talking about materials for the cover, and we went into her kitchen.  [Madonna] pointed at the metal plate at the back of her stove and said, ââ¬ËI want something like thisââ¬â¢. I was very impressed with the way she interacted with her world to source things. ââ¬Å"[26]à  The company bought about 1,500,000 pounds (680,000à  kg) of aluminium, a pound for each book. The designers had to do the front and the back covers, while rolling, stamping and ionizing the metal. [26] The book opens up with the introduction: ââ¬Å"Everything you are about to see and read is a fantasy, a dream, pretendâ⬠. [27]à  Throughoutà  Sex, Madonna offersà  poems, stories, andà  essays.  [5]à  She also uses theà  pseudonymâ⬠Mistress Ditaâ⬠ as a homage to German actressà  Dita Parlo; her friends in these stories are Bunny, Dex, Stella, Chiclet and Stranger. [3][28]à  According to biographerà  J. Randy Taraborrelli, a big part of the book is read as a letter to aà  pornographic magazine. [3]à  As a thank you for recovering the stolen pictures during the making of the book, in the credits of the book Madonna mentioned the FBI for â⬠ â⬠¦ rescuing photographs that would have madeà  J. Edgar Hooverà  roll over. ââ¬Å"[14][29]à  Madonna also wanted to explore the notion of power inà  Sex.  Melcher said that the artist wanted to talk about ââ¬Å"gentle and hard, soft and violent [inà  Sex]. She was playing out all those elements in her book. That was reflected in the materials: uncoated, soft paper on the inside and hard metal coating on the outside. ââ¬Å"[25] Just like the textââ¬âwhich was mostly written on top of photographsââ¬âthe photographs on the book are highly sexual and depictà  nudity, simulations of sexual acts,à  bondage,à  homosexualityà  andà  analingus, with accessories such as knives, whips, masks and chains[5][17][30][31]à  although fullà  intercourseà  is never shown.  [14]à  Aside from unknown models, featured in the book are actressà  Isabella Rossellini, rappersà  Big Daddy Kaneà  and Madonnaââ¬â¢s then boyfriendà  Vanilla Ice,[18]à  modelà  Naomi Campbell,[32]à  gay porn starà  Joey Stefano,[10]à  actorà  Udo Kier, socialiteà  Tatiana von Furstenberg, and nightclub owner Ingrid Casares; however theheterosexualà  photos in the book involve only Madonna and Vanilla Ice. [14]à  Madonna herself is featured partially or completely naked. One of the bookââ¬â¢s most famous photographs shows Madonnaà  hitchhikingcompletely naked in Miami.  [3]à  The book also reflects a great part on Ditaââ¬â¢s perspective towards her own sexuality. Dita writes inà  Sexà  that her ââ¬Å"pussyâ⬠ is a temple of learning[33]à  and that exposing it, is really a homage to it (ââ¬Å"Itââ¬â¢s hard to describe it smells like a baby to me fresh and full of life. I love my pussy, it is the complete summation of my lifeâ⬠). [34]à  Sexà  contains statements like ââ¬Å"ass fuckingà  is the most pleasurable way to get fucked and it hurts the most tooâ⬠. [3]à  Others include ââ¬Å"[t]here is something comforting about being tied up. Like when you were a baby and your mother strapped you in the car seat.  She wanted you to be safe. It was an act of loveâ⬠[20]à  and ââ¬Å"I wouldnââ¬â¢t want a penis. It would be like having a third leg. it seems like a contraption that would get in the way. I think I have a dick in my brainâ⬠. [20][31]à  Inà  Sex, Dita also pointed out that ââ¬Å"A lot of people are afraid to say what they want. Thatââ¬â¢s why they donââ¬â¢t get what they wantâ⬠. [35]à  The book includes Madonnaââ¬â¢s perspective onà  pornography: ââ¬Å"I donââ¬â¢t see how a guy looking at a naked girl in a magazine is degrading to women. Everyone has their sexuality. Itââ¬â¢s how you treat people in everyday life that counts, not what turns you on in your fantasy.  If all a person ever did was get off on porno movies I would say they are probably dysfunctional sexually, but I donââ¬â¢t think itââ¬â¢s unhealthy to be interested in that or get off on that. Iââ¬â¢m not interested in porno movies because everybody is ugly and faking it and itââ¬â¢s just silly. They make me laugh, they donââ¬â¢t turn me on. A movie likeà  In the Realm of the Sensesà  turns me on because itââ¬â¢s real. Iââ¬â¢ve been told there are some goodà  Traci Lordsà  movies but Iââ¬â¢ve never seen them. I wouldnââ¬â¢t want to watch aà  snuff movie. I wouldnââ¬â¢t want to watch anyone get really hurt, male or female. But generally I donââ¬â¢t think pornography degrades women.  The women who are doing it want to do it. No one is holding a gun to their head. I donââ¬â¢t get that whole thing. I love looking atà  Playboyà  magazine because women look great naked. ââ¬Å"[20] Release and promotion[edit] Rapperà  Vanilla Iceà  (left) and modelà  Naomi Campbellà  (right) are among the celebrities that appeared in the book. Both appeared in explicit images along side Madonna. The initial preview of the book was met with a huge amount of controversy, as it showed a nude Madonna wearing a rabbitââ¬â¢s tail, shaving theà  pubic hairà  of a naked man, and cavorting outdoors with a dog, suggestingà  bestiality.  [8][17]à  The Vaticanà  urged its people to boycott the release, saying that it was ââ¬Å"morally intolerableâ⬠. [36]à  Indian customs officials said that the book offended the countryââ¬â¢s public morality. Theà  Press Trust of Indiaà  (PTI), Indiaââ¬â¢s domestic news agency, quoted a top customs official as saying the book would be seized under a section of the Customs Act prohibiting entry of indecent literature. [37]à  Citizens ofà  Alexandria, Virginiaà  filed a complaint with the cityââ¬â¢s police department on behalf of a group called the Rapides Parish Chapter of American Family Association, claiming that it violated Louisianaââ¬â¢s anti-obscenity laws.  [38]à  South US Baptists did not want their Bibles coming off the same printing presses as Madonnaââ¬â¢sà  Sexà  and threatened to stop doing business with a Chicago printer. The Nashville-based Baptist Sunday School Board, a division of the Southern Baptist Convention, reviewed their $2. 1à  million ($3,529,215 in 2014 dollars[39]) printing contract with R. R. Donnelley & Sons. Board President James Draper said he was infuriated that Donnelley also printed ââ¬Å"such an obscene bookâ⬠.  [40]Entertainment Tonightà  reported that Madonna herself had initiated the mayhem with the explicit content in the music video for ââ¬Å"Eroticaâ⬠, walking bare breasted at designer Jean Paul Gaultierââ¬â¢s fashion show and posing nude inà  Vanity Fairà  magazine. [41]à  A writer forà  The Sacramento Beeà  said that since the press wanted ââ¬Å"controversyâ⬠, Madonna was willing to provide them ââ¬Å"fodderâ⬠ with her ââ¬Å"antiquesâ⬠. [42] Madonna then said she was ââ¬Å"doing this to liberate America ââ¬â free us all of our hang-upsâ⬠;[5]à  she also revealed in a letter that ââ¬Å"This book doesnââ¬â¢t tolerate risky sexual practicesâ⬠.  [3]à  Nicholas Callaway fromà  Callaway Arts & Entertainmentà  said that the book was ââ¬Å"inevitably going to be controversial. The book explores every aspect of sexual fantasy. Itââ¬â¢s hard to calculate the effect, [but],à  Sexà  should be considered ââ¬Ëart'â⬠. [43]à  Originally it was rumored thatà  Time Warnerà  was nervous about the release of the book; however, in an interview withà  Vanity Fair, William Sarnoff, president of Warner Books, said he felt that Madonna ââ¬Å"should pursue all avenues of creativity as she defines itâ⬠.  The Warner company had also previously assured that they would make sureSexà  reached its mainà  target audienceà  and also reminded that the book was safely wrapped in a Mylar bag to prevent in-store peeping and contained a warning label. [5]à  Michael Kilianà  of theChicago Tribuneà  published an article on October 7, 1992, regarding the then upcoming release ofà  Sex: ââ¬Å"Prepare thyself, [â⬠¦ ], The mega-event of the millennium is to occur in precisely two weeks. Itââ¬â¢s an event far more mega than the November election, the collapse of communism or even the crowning ofà  Leanza Cornettà  as the newà  Miss America.  â⬠ Kilian also described it as the ââ¬Å"personal sexual fantasy picture book in all Christendom, then it goes far beyond all previous ââ¬Ëtruly twistedââ¬â¢ personal sexual fantasy picture booksââ¬âperhaps beyond all imagining what such a book could beâ⬠. [43] On October 15, Madonna threw a pre-release party at New York Cityââ¬â¢s Industria Superstudio, and signed all the invitations under herà  Sexà  alter egoà  Ã¢â¬Å"Ditaâ⬠. [44][45]à  During the party, Madonna showed up dressed asà  Little Bo Peepà  and even carried with her a stuffed toy lamb.  [29]à  Madonnaââ¬â¢s publicist Liz Rosenberg showed concern at first due to ââ¬Å"what the parents of Americaââ¬â¢s impressionable teens will soon be thinkingâ⬠ but later said that it ââ¬Å"all depends on your idea of lovemaking, which in Madonnaââ¬â¢s case, should give new meaning to the word eroticâ⬠. [5]à  Bothà  Waldenbooksà  andà  Barnes & Nobleà  prepared corporate statements that the managers could share with customers who are offended byà  Sex. (Both statements defended the right of bookstores to provide ââ¬Å"diversity and choiceâ⬠ to customers and say censorship is not the role of bookstores.  )[23]à  Many book stores, too, stated that the book would not be sold to anyone under 18 and that it would be for display only behind the cash register. [5][23]Bookstore owner David Epstein stated that ââ¬Å"The feeling of most people who have ordered the book is that Madonna is something special, that this is cutting-edge art, [â⬠¦ ], theyââ¬â¢re not the kind of people who are buying it because itââ¬â¢s smut and dirty pictures. People are interested in it as art. ââ¬Å"[23] Sexà  was finally released on October 21, 1992, by editorials Callaway andà  Warner Books;[14][43][46][47]à  it was also the first work released by Madonnaââ¬â¢s company Maverick.  [1][5]à  To accompany its release, aà  comic bookà  as well as a promotional single containing a stripped-down version of ââ¬Å"Eroticaâ⬠, titled ââ¬Å"Eroticâ⬠, were made available. The book was released by Madonna as alongside her fifth studio albumà  Erotica, which had been released a day earlier. [5]à  With an initial print run of one million copies of the first edition in five continents and in five languages,[47]à  the price of the book was $50 ($84 in 2014 dollars[39]) at retail, making sex an ââ¬Å"expensive visual bookâ⬠. [43][46]à  Nevertheless, the book managed to break records regarding the number of copies pre-ordered before the release.  Nicholas Callaway pointed out that the book was an unprecedented hit, because the print run of an average art book ranges between 5 and 10,000à  units. [11]à  He described it as ââ¬Å"the largest initial release of any illustrated book in publishing historyâ⬠. [10][11] Due to the high scandal and controversy surrounding the book, there wasnââ¬â¢t really any need for Madonna to promote it;[30]à  however, one of the few promotions for the book Madonna did, was appearing on the cover of the October edition ofà  Vogue, where she appeared dressed in ââ¬Å"Hippie tripâ⬠ fashion.  These photographs were taken by Meisel. [48]à  After the book was released, on October 22, 1992,à  MTVà  aired a special calledà  The Day in Madonna, hosted byà  Kurt Loderà  (the title of this special was a pun of the title of the channelââ¬â¢s daily showà  The Day in Rock), which profiled the release of Madonnaââ¬â¢sà  Sexà  and her albumà  Erotica, even taking the book to the streets to allow people, including a sex therapist and group of real-life New York Citydominatrices, to view it. MTV also interviewed many people who had viewed the book on the day of its release at the HMV music store in New York City.  In celebration of the release of the book, the store held a Madonna look-alike contest and set up a booth where people could view the book for one dollar a minute, with all of the proceeds going to Lifebeat, the music industry organization founded to help fund AIDS research. [9] Critical and commercial reception[edit] ââ¬Å"I donââ¬â¢t think sex is bad. I donââ¬â¢t think nudity is bad. I donââ¬â¢t think that being in touch with your sexuality and be able to talk about it is bad.  I think the problem is that everyone is so uptight about it and have turned it into a bad thing when itââ¬â¢s not, if people could speak freely, we would have more people practicing safe sex, we wouldnââ¬â¢t have people being sexually abused. â⬠ ââ¬âMadonna discussing the negative backlash surrounding the book. [12] The book received negative reaction from critics,[47][49][50][51]à  conservative andà  feministà  Ã¢â¬Å"anti-pornâ⬠ groups,[1][52]à  due to its sexually explicit photographs which many characterized as ââ¬Å"hardcore pornographyâ⬠. [53]à  Taraborrelli opined that much of the book appears surprising and not shocking.  [54]à  He derided the whole concept as childish and impetuous rather than an adult book. According to him, though Madonna insisted that she was trying to demystify sexuality altogether, the author believed she just wanted to publish pornographic text and pictures and get away with it. ââ¬Å"She was being a brat, not a revolutionaryâ⬠, the author concluded. [54]à  Authorà  Lucy Oââ¬â¢Brienà  declared that the book was a bold, harrowing exercise in frustration, and despite Madonnaââ¬â¢s attempt at invincibility, the book appeared as ââ¬Å"a curious act of self-destructionâ⬠.  [55]â⬠The overwhelming effect of the book is numbing,â⬠ complainedà  Rolling Stone. ââ¬Å"The images are derivative, and Madonna herself seems far too eager to shock; that, not even prurient arousal, seems the ideal response the book tirelessly seeks. The potency ofà  Sexââ¬â¢s subject matter is dissipated by Madonna and Meiselââ¬â¢s self-congratulatory ââ¬â and silly ââ¬â sense of their own ââ¬Ëbravery,ââ¬â¢ as if their naughty games were somehow revolutionary. ââ¬Å"[56] Roger Catlin from theà  Hartford Courantà  said that the passages from the book were ââ¬Å"too dirty to quote here, even the funny onesâ⬠.  [8]à  The Daily Beastà  said that ââ¬Å"the book is neither groundbreaking (save that it features a major star) nor particularly sexy [â⬠¦ ]à  Sexà  is convincing only when itââ¬â¢s playful, as when she appears nude in a Miami pizzeria, chewing a slice while a baffled customer looks on. Elsewhere, sheââ¬â¢s simply undressed with no place to goâ⬠. [19]à  Richard Harrington fromà  The Washington Postgave the book a mixed review by saying: ââ¬Å"Isà  Sexà  shocking? not really. Mostly because itââ¬â¢s Madonna, and somehow weââ¬â¢ve come to expect this from her. Isà  Sexà  boring? actually, yesâ⬠.  [18]à  During her review of the book, British authorà  Zoe Hellerà  fromà  The Independentà  wrote that it was ââ¬Å"the women who once saw Madonna as a witty feminist role model who have been most alarmist about her latest pornographic incarnationâ⬠ and that ââ¬Å"previously, they say, Madonna played with traditional images of feminine sexuality in a subversive, ââ¬â¢empoweringââ¬â¢ way. But now, with sado-masochism and rape fantasies, she has gone too far. ââ¬Å"[34]à  Calvin Tomkins, author andà  art criticà  forà  The New Yorker, wrote that ââ¬Å"unfortunately, the book is going to be mistaken forà  pornographyâ⬠.  [57]à  In his review,à  Ed Anger, columnist forà  Weekly World Newsà  said that: ââ¬Å"Madonna may be the best singer in the world today, but she has no right to take off her clothes in her bookâ⬠. [58]à  Vanity Fairà  deemed it ââ¬Å"the dirtiest coffee table book to ever be publishedâ⬠. [12]à  Caryn James fromà  The New York Timesà  was negative in her review stating that ââ¬Å"There is plenty here to offend the meek (whips and chains), the self-righteous (gay men and lesbians), not to mention the tasteful (a tacky and cluttered art design)â⬠.  [14]à  Vicki Goldbergà  from the same newspaper was also dismissive of the photography of the book saying that ââ¬Å"Unfortunately, not many of the images are very good photographically. Many are just pictures, or just pornâ⬠. [47] Despite all the controversy and negative backlash, which included the book being banned in Japan shortly after its release,[59]à  Sexà  proved to be a commercial success, selling 150,000à  copies on its release day in the United States alone. [60]à  Hundreds of copies of the book were pre-ordered, prompting book sellers to say thatà  Sexà  was ââ¬Å"shattering their sales records for advance purchasesâ⬠.  [61]à  A week later, the bookââ¬â¢s sales exceeded the 500,000à  units[1]à  and eventually toppedà  The New York TimesBest Seller list. [18]à  Giselle Benatar wrote in her article ââ¬Å"Sex & Moneyâ⬠: ââ¬Å"This isnââ¬â¢t the publishing event of the year, itââ¬â¢s the publishing event of the century. ââ¬Å"[1]à  A day earlier, Tyra Braden fromà  The Morning Callà  wrote that she and some friends concluded that the book ââ¬Å"might become a collectorââ¬â¢s item a few years down the roadâ⬠. [22]à  In just three days, the book had managed to sell more than 1. 5à  million copies worldwide. [1] Social impact and aftermath[edit].  Madonnaââ¬â¢s performances inThe Girlie Show World Tourà  faced negative reactions from conservative groups who deemed the singer immoral. Dubbed at the time ââ¬Å"The Queen of obsceneâ⬠,[62]à  Madonna and theà  Sexà  era is considered by many as the artistââ¬â¢s most controversial and transgressive period. [63][64]à  The book, widely panned by the press, is regarded as one of the factors that shaped the social reaction and critique towards Madonna during the early 1990s. [31]à  Her fifth studio albumà  Eroticaà  was affected by the negative press surrounding the book.  [65]à  In March 1993Spinà  magazine wrote an article praising the book,[66]à  but months later inà  Mexico,à  social communicologistà  Nino Canun presented aà  television specialà  calledà  ? Y Usted que Opina? (en: And whatââ¬â¢s your opinion? ), where the audience, among them aà  priest, presented their arguments as to why ââ¬Å"this morally clueless singer shouldnââ¬â¢t perform in the countryâ⬠, making reference to the then upcomingà  Girlie Show World Tourà  which was set to visit Mexico. Later, during her concert in Mexico, Madonna wore aà  charroà  sombreroà  and simulated anà  orgyà  with her dancers onstage, as a response to these comments.  [67]à  Continuing her provocative imagery, Madonna starred in the erotic thrillerà  Body of Evidence, which featured the singer fully nude and in scenes engaged in simulated sexual acts. [68]à  In March 1994,à  Madonna appeared as a guestà  on theà  Late Show with David Letterman, using profanity that was required to be censored on television and handing Letterman a pair of her underwear and asking him to smell it. [69]à  The releases of her sexually explicit film, album and book, and the aggressive appearance on Letterman all made critics regard Madonna as a sexual renegade.  She faced strong negative publicity from critics and fans, who commented that ââ¬Å"she had gone too farâ⬠ and that her career was over. [70]à  Later on the song ââ¬Å"Human Natureâ⬠ from her sixth studio albumà  Bedtime Storiesà  (1994), Madonna addressed the public backlash the book was still receiving, particularly with the lines ââ¬Å"Did I say something wrong? Oops, I didnââ¬â¢t know I couldnââ¬â¢t talk about sex. I must have been crazy,â⬠ as well as the line ââ¬Å"What was I thinking? ââ¬Å". [31] The perfect iconic goddess ofà  True Blueà  had all gone.  In the same way that sixties beauties likeà  Nico,à  Marianne Faithfullà  andà  Brigitte Bardotà  set about destroying their beauty after they were famous, the very thing they felt limited them, Madonna annihilated hers. Within a few short years she moved from teasing flirtation to desperate sexual display. It is ironic that after the triumph ofà  Like a Prayer, she hits this bathos. Being a blond again set her off in the wrong direction. It was as if with theà  Sexà  book she showed the underside of the Hollywood dream ââ¬âLucy Oââ¬â¢Brien,à  Madonna: Like an Icon, page. 254[71] Madonna herself would later say: ââ¬Å"I wouldnââ¬â¢t say I regret it.  Iââ¬â¢ve made mistakes and learned from them. Most people want to hear me say that I regret publishing myà  Sexà  book. I donââ¬â¢t. What was the problem was releasing myà  Eroticaà  album at the same time. I love that album and it got overlooked. ââ¬Å"[72][73]à  However, author Andy Koopmans in his bookà  Madonnaà  (2002) would comment that the singer regretted both publishingSexà  and recordingà  Eroticaà  and that the book ââ¬Å"had affected everything she did laterâ⬠. [74]à  It was not until 2003 that Madonna would once again declare that she regretted nothing; ââ¬Å"Iââ¬â¢m not apologising in any shape or form [â⬠¦]  I was interested in pushing buttons and being rebellious and being mischievous and trying to bend the rules. There was a lot of irony in theà  Sexà  book and I am poking fun at a lot of things and I am being kind of silly and adolescent and I am being very f you, if a man can do it, I can do it. ââ¬Å"[75]à  A year earlier on 2002, Naomi Campbell confessed to ââ¬Å"have a lot of respect for Madonna being bold enough to come out and do a book on sex. Iââ¬â¢ve never reneged on thatâ⬠. [76]à  However in 2009, rapper Vanilla Ice, who was Madonnaââ¬â¢s boyfriend at the time of the bookââ¬â¢s creation, confessed to not being happy with the book once he saw it.  ââ¬Å"My friends were like, ââ¬ËDude, thatââ¬â¢s cool manââ¬â¢, but I was like, ââ¬ËIââ¬â¢m dating her, itââ¬â¢s not cool to see your girlfriend with all these other peopleââ¬â¢ [â⬠¦ ] It kinda ruined the whole thing. I wonder what her kids think of that book? Here she is writing kidsââ¬â¢ books now but theyââ¬â¢re going to see it and go, ââ¬ËMommy, what were you thinking? ââ¬Ëâ⬠[77]Another of the bookââ¬â¢s models, actress Isabella Rossellini, toldà  Outà  magazine that she regretted her participation on the book; ââ¬Å"I donââ¬â¢t think the book worked, even though the photos were extraordinary, and some of them quite memorable.  I think there was a little bit of a moralistic sort of ââ¬ËIââ¬â¢ll teach you how to be free! ââ¬Ë ââ¬â and that bothered the hell out of me. ââ¬Å"[78] Later reviews towardsà  Sexà  have become more positive. The authors ofà  The Porning of America:  The Rise of Porn Culture, What It Means, and Where We Go from Hereà  (2008) have commented that ââ¬Å"the book is particularly interesting in the way that, like many of Madonnaââ¬â¢s works, it portrays sex in terms of domination and powerâ⬠,[31]à  whereas Jane Raphaely, editor-in-chief ofà  Cosmopolitanà  praised Madonnaââ¬â¢s ââ¬Å"liberated behavior onà  Sexà  [â⬠¦] the fact that she takes all forms of pornography and systematically demystifies it by putting it under her controlâ⬠, in an article in 1996. [79]  Brian McNair, author ofà  Striptease Culture: Sex, Media and the Democratisation of Desireà  (2012) praised this period of Madonnaââ¬â¢s career, saying that she had ââ¬Å"porno eleganceâ⬠ and that ââ¬Å"Sexà  is the author of a cultural phenomenon of global proportions [due to the critics] and thanks to this Madonna established her iconic status and cultural influenceâ⬠. [28] Legacy[edit]  Sexà  is now considered a bold,à  post-feminist, work of art,[64][80][81]à  besides being labeled a ââ¬Å"cultural bookâ⬠. Martin Amisà  fromà  The Observerà  wrote an essay discussing the bookââ¬â¢s cultural meaning. [28]à  Critical theoristà  Douglas Kellnerà  affirmed that withSexà  Ã¢â¬Å"Madonna became herself, an artifact ofà  pop cultureâ⬠. [82]à  French academic writerà  Georges Claude Guilbertà  (author of three books about Madonna) describedà  Sexà  as one of the most successful publicity stunts in history[83]à  whereas Russell W. Belk, author ofà  Handbook of Qualitative Research Methods in Marketingà  mentioned that the book is aà  qualityà  product inà  marketing.  [84]à  In 1992, Madonna had generated more than US$500à  million ($840,289,305 in 2014 dollars[39]) to Time Warner in sales of both albums and theà  Sexà  book, despite the negative feedback. [85]à  However, Taraborrelli commented in his book,à  Madonna: An Intimate Biography, that those ââ¬Å"who knew Madonna well at that time, knew what was really going on with her: theSexà  bookââ¬âand the outrageous antics that preceded it and would follow itââ¬âwas really just something she used as a barrier between her and the rest of the world. ââ¬Å"[54]  For years it had seemed to Madonna that both her personal and professional life was extremely scrutinized by the public andà  media, and although she had started this scrutinizing by her provocative works, she was tired of it. [54]à  Being vexed at this interest in her personal life, Madonna fought back by creating the persona of a renegade, something so outrageous as to defy explanation, something found objectionable by most people.  Taraborrelli said that in Madonnaââ¬â¢s view, ââ¬Å"she had no other way of fighting backâ⬠. [54]à  The Boston Globeââ¬â¢s Matthew Gilbert analyzed the singerââ¬â¢s provocative attempt in an article published in the newspaper: ââ¬Å"Madonnaââ¬â¢s motive for baring her breasts to the public feels more like personal gratification, less like commitment to a cause.  Sheââ¬â¢s not out to change the world. Letââ¬â¢s face it: Few people get erotic in front of millions of viewers for purely selfless political reasons. Itââ¬â¢s hard to escape the view of Madonna as a difficult Catholic adolescent aiming the finger at everything repressive. And many of her songs are addressed to an authority figure of her youth ââ¬â from God and Jesus Christ to her own father. The heart of Madonnaââ¬â¢s outrageousness seems to lie beneath her liberal rationales, as if sheââ¬â¢s acting out something private and the world is her couch, not to mention her bank. Her politics are largely Electral.  ââ¬Å"[86] According to some writers,à  Sexà  also helped Madonna make a name in theà  porn industry,[62]à  and earned her the title ofà  S&Mââ¬â¢s firstà  cultural ambassador[87]à  and was praised for recreating ââ¬Å"porn-chicâ⬠. [88]à  Humberto Quiroga Lavie pointed out that it was the fact thatà  Sexà  was considered pornographic that helped it become aà  bestseller. [89]à  Steve Bachmann, on his bookà  Simulating Sex: Aesthetic Representations of Erotic Activityà  pointed out that ââ¬Å"perhaps one of the most interesting aspects of Madonnaââ¬â¢s sexual phenomenon is the extent to which her book marked a new threshold in the pornographic franchiseâ⬠.  [90]à  McNair wrote in his book that ââ¬Å"Sexà  brought out the personal underground to the surface of pop cultureâ⬠. [28]à  London art criticSarah Kentà  wrote inà  Time Outà  magazine that the timing ofà  Sexà  was ââ¬Å"impeccable. [15]à  Obsessions about the human body was in vogue, with Madonnaââ¬â¢s book as well as artistà  Andres Serranoââ¬â¢s ââ¬Å"cumming shotsâ⬠ andà  Jeff Koonsââ¬â¢Ã  The Jeff Koons Handbook, the latter portrayed fairytale pictures of the artist having sex with his pornographic actor wife,à  Cicciolina. [15] Sexà  has also become an important book in theà  LGBTà  community.  Ben Shapiro, author ofà  Porn Generation: How Social Liberalism Is Corrupting Our Futureà  wrote that due to its iconic status ââ¬Å"Sexà  adorns the coffee tables of hundreds of gay men andsperm banksâ⬠. [91]à  Mark Blankenship, from the LGBT-oriented website New Now Next stated that ââ¬Å"literature changed foreverâ⬠ with the publishing ofà  Sex. [92]à  Madonnaââ¬â¢s portrayal ofà  lesbianà  love scenes in the book sparked debates about her own sexual preferences. [93]à  This was an adjunct to the singerââ¬â¢s public relationship with comedienneà  Sandra Bernhard, with whom she cavorted around, visiting lesbian night-clubs as well as partying. The LGBT communit    
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